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HAMPSTEAD THEATRE

Eton Avenue

Swiss Cottage

LONDON NW3  3TU

BOX OFFICE:  020 7722 9301

website: www.hampsteadtheatre.com


 

THE BUSH THEATRE

Shepherds Bush Green

London W12

BOX OFFICE:  020 7610 4224

www.bushtheatre.co.uk  (no booking fee)

The Bush Theatre is above the O'Neill's pub on the corner of Shepherds Bush Green and Goldhawk Road W12

 

 


LYRIC HAMMERSMITH

 King Street

Hammersmith

 

BOX OFFICE:  0871 22 117 22

 www.lyric.co.uk

 

Lyric Hammersmith announces

Autumn Winter Season 2010/2011

After a year of critically acclaimed, box office breaking and award-winning shows, including a

West End transfer Artistic Director Sean Holmes announces the 2010/2011 Autumn Winter

season for the Lyric Hammersmith. In a season which will see the start of work on a major

capital project to expand the theatre’s facilities for young people, the Lyric presents exciting

young talent and work from some of the greatest playwrights of modern times in Hammersmith,

around the UK and in New York.

See further details on everything that is happening at the Lyric at our new website:

www.lyric.co.uk

‘Blasted, Panto’s second coming, a first-time playwright, a dark take on Dahl, and Richard

Bean’s latest play make for a thrilling forthcoming season.’ Sean Holmes Artistic Director

Following a sell-out run at the Lyric last autumn, Simon Stephens’ award-winning play

PUNK ROCK returns for two weeks only prior to a large scale national tour.

In collaboration with Out of Joint the Lyric present the London premiere of Richard

Bean’s new play THE BIG FELLAH, directed by Max Stafford-Clark.

Sean Holmes stages the first London revival in almost 10 years of Sarah Kane’s

seminal play BLASTED.

The streets of Hammersmith will be paved with gold this Christmas as traditional

pantomime returns with DICK WHITTINGTON.

ROALD DAHL’S TWISTED TALES based on Dahl’s dark short stories for adults,

adapted for the stage for the first time by Ghost Stories writer Jeremy Dyson and

director Polly Findlay, winner of the JMK Trust’s young theatre director award.

Winner of the George Devine Award 2010 and Bruntwood Playwriting Competition first

time playwright Vivienne Franzman presents her play MOGADISHU.

The hugely successful Lyric production of METAMORPHOSIS makes its New York

premiere at Brooklyn Academy of Music as part of the 2010 New Wave Festival.

Following its phenomenal success at the Lyric the West End transfer of Jeremy Dyson

and Andy Nyman’s GHOST STORIES is now booking until November 2010.

Our regular SUNDAY COMEDY NIGHTS are back with a side-splitting mix of famous

headliners and rising stars, all handpicked by Richard Herring.

LYRIC LOUNGE returns to the Lyric studio, showcasing the latest young artistic talent.

 

PUNK ROCK

06 – 18 September 2010

Press Night: Wednesday 08 September, 7pm

On tour: 21 Sep – 20 Nov 2010

By Simon Stephens

Directed by Sarah Frankcom

Designed by Paul Wills

Lighting by Philip Gladwell

Sound by Pete Rice

A LYRIC HAMMERSMITH AND ROYAL EXCHANGE THEATRE, MANCHESTER PRODUCTION

Following sell-out shows and rave reviews last year Punk Rock returns to open the autumn

season for a limited two-week run prior to embarking on a nine-week large scale national tour.

Written by Lyric Artistic Associate, Simon Stephens, and directed by Royal Exchange Theatre,

Manchester co-Artistic Director, Sarah Frankcom; Punk Rock was applauded in 2009 for

showcasing rising young acting talent in the UK. This production sees a young cast take

Stephens’ powerful play exposing the violence simmering beneath the surface of success within

an English Grammar School on tour across the UK.

Winner of four Manchester Evening News Theatre Awards including Best New Play and Best

Production. Nominated for two Evening Standard Theatre Awards and two Whatsonstage

Awards.

Simon Stephens’ plays include A Thousand Stars Explode in the Sky with David Eldridge and

Robert Holman (2010, Lyric Hammersmith); Harper Regan (2008, National Theatre);

Pornography (2007, Deutsche Schauspielhaus/2008, Hamburg/2009, Traverse Theatre/2009,

Tricycle Theatre); Motortown (2006, Royal Court) and the Olivier award-winning On The Shore

of the Wide World (2005, Royal Exchange/National Theatre).

Punk Rock will be touring to Sheffield Lyceum Theatre (21 – 25 Sep), Kings Theatre Edinburgh

(28 Sep – 02 Oct), Birmingham Repertory Theatre (05 – 09 Oct), Eastbourne Devonshire

Park (12 – 16 Oct), Salisbury Playhouse (19 – 23 Oct), Theatre Royal Plymouth (26 – 30 Oct).

Oxford Playhouse (02 – 06 Nov), Curve Theatre Leicester (09 – 13 Nov) and Warwick Arts

Centre (16 – 20 Nov).

Ages 14+

 

THE BIG FELLAH

21 September – 16 October 2010

Press Night: Friday 24 September, 7pm

A new play by Richard Bean

Directed by Max Stafford-Clark

Designed by Tim Shortall

Lighting by Jason Taylor

Sound by Nick Manning

Cast includes Rory Keenan, Youssef Kerkour, Finbar Lynch, David Ricardo-Pearce,

Claire Rafferty, Fred Ridgeway and Stephanie Street.

AN OUT OF JOINT AND LYRIC HAMMERSMITH PRODUCTION

The Big Fellah, Richard Bean’s new play about Irish Americans and their influence on the

Troubles in Northern Ireland, will receive its London debut at the Lyric Hammersmith. Set in

New York 1972, five men come together with a common purpose; to live the American dream

and to continue an almighty quest for freedom. Richard Bean's witty and dark play spans three

turbulent decades of the IRA’s brutal fight for independence.

Richard Bean's plays include England People Very Nice (National Theatre); Under The

Whaleback, Harvest (winner of the Critics' Circle Award for Best Play); Honeymoon Suite (all

Royal Court) and The English Game (national tour).

Directed by the legendary Max Stafford-Clark, founder and artistic director of Out of Joint for

17 years and former artistic director of the Royal Court, where his work included the premieres

of Serious Money, Top Girls and Our Country’s Good. His productions for Out of Joint include

Talking to Terrorists, The Permanent Way, Shopping and F***ing and the world-touring, Africainspired

Macbeth. He directs a cast including Tony-nominated actor Finbar Lynch.

Ages 14+

 

BLASTED

22 October – 20 November 2010

Press Night: Thursday 28 October, 7pm

By Sarah Kane

Directed by Sean Holmes

Designed by Paul Wills

Lighting by Paule Constable

Sound by Chris Shutt

A LYRIC HAMMERSMITH PRODUCTION

In 1995 Sarah Kane’s seminal play shocked audiences and critics alike with its brutal honesty.

Still as powerful as ever, the Lyric’s Artistic Director Sean Holmes stages its first London

revival in almost 10 years.

In a hotel room in Leeds, middle aged tabloid journalist Ian, who openly flaunts his racist,

homophobic and misogynistic views, brings a younger woman, Cate, to spend the night with him.

As we are exposed to their progressively abusive relationship their world shifts as a brutal civil

war forces its way in.

Labelled in the 90’s as ‘the most notorious playwright in Britain’ Sarah Kane’s masterpiece

Blasted forces the audience to confront the horrors of a broken world. Blasted first opened at

the Royal Court Theatre Upstairs in 1995, directed by James MacDonald it made front-page

headlines and outraged critics with its depiction of rape, torture and violence. This play has been

reviled and revered in equal measure, but is undoubtedly an influential force that has shaped the

landscape of 21st century drama. Holmes brings Blasted to a new generation, showcasing one of

the most important writers of modern times.

Ages 16+

 

DICK WHITTINGTON

27 November 2010 – 08 January 2011

Press Night: Friday 03 December, 7pm

By Joel Horwood and Morgan Lloyd Malcolm

Conceived and Directed by Steve Marmion

Designed by Tom Scutt

Sound by Nick Manning

A LYRIC HAMMERSMITH PRODUCTION

Following the great success of the Lyric’s first traditional pantomime in almost 30 years,

Steve Marmion (the recently appointed Artistic Director of the Soho Theatre) returns this

festive season with Dick Whittington. Join Dick Whittington and his cat as they journey to

London to find their fortune in a brand new show full of colourful characters, live music, laughter

and the very evil King Rat. The Lyric’s pantomime is an entertainment extravaganza, bringing

together the finest creative team, an exceptional cast and local talent to present a traditional

Panto for the whole family.

Ages 6+

 

ROALD DAHL’S TWISTED TALES

14 January – 26 February 2011

Press Night: Monday 24 January, 7pm

By Jeremy Dyson

Conceived and Directed by Polly Findlay

A LYRIC HAMMERSMITH AND LIVERPOOL EVERYMAN & PLAYHOUSE PRODUCTION

Based on Roald Dahl’s dark short stories for adults these renowned tales are adapted for stage

for the first time by The League of Gentlemen’s Jeremy Dyson, writer of the Lyric’s smashhit

Ghost Stories and director Polly Findlay as the twisted imagination and full malevolence of

Dahl is revealed.

Directed by Polly Findlay, winner of the JMK Trust's young theatre director award in 2007 and

recipient of the 2006/7 Bulldog Princeps Bursary at the National Theatre. Findlay’s credits

include Caryl Churchill’s Light Shining in Buckinghamshire (Arcola); Eigengrau (Bush);

Thyestes (Arcola) and Romeo and Juliet (Battersea Arts Centre).

Master of the macabre, Jeremy Dyson, has won numerous awards as the co-writer of the

hilariously bleak The League of Gentlemen; including a Perrier Award, Bafta Award for Best

Comedy and the Golden Rose of Montreux. The stage show he co-penned, A Local Show for

Local People, was nominated for an Olivier Award in 2002. Jeremy Dyson co-wrote and directed

the Lyric’s production of Ghost Stories with Andy Nyman, following its phenomenal success the

show transferred to the West End and is now booking until November 2010.

Ages 14+

 

MOGADISHU

03 March – 02 April 2011

Press Night: Monday 07 March, 7pm

Written by Vivenne Franzmann

Directed by Matthew Dunster

Designed by Tom Scutt

A ROYAL EXCHANGE THEATRE, MANCHESTER PRODUCTION

This hard-hitting play takes place in an inner city London school, in which a teacher, Amanda, is

accused of racial harassment by one of the pupils. It was one for the four joint first prize winners

in the most recent Bruntwood Playwriting Competition and was recently announced as the

winner of the 2010 George Devine Award for Most Promising Playwright. This is the first play by

Vivienne Franzman who is herself a Drama teacher in a comprehensive school in London.

Matthew Dunster directs an exciting young cast many of whom will be making their

professional debuts. Dunster’s credits include Love the Sinner (National Theatre); 1984 and

Macbeth (Royal Exchange, Manchester); his own award-winning play You Can See the Hills

(Royal Exchange, Manchester/Young Vic); the critically-acclaimed productions of The Frontline

and Troilus and Cressida (Shakespeare’s Globe Theatre) and the Olivier award nominated

production Love and Money (Young Vic/Royal Exchange, Manchester).

Ages 11+

 

METAMORPHOSIS

Brooklyn Academy of Music, Harvey Theatre, New York

Part of the 2010 Next Wave Festival

30 November – 04 December 2010

Adapted & directed by David Farr and Gísli Örn Gardarsson

Music by Nick Cave and Warren Ellis

Designed by Börkur Jónsson

Lighting by Björn Helgason

Sound by Nick Manning

A LYRIC HAMMERSMITH AND VESTURPORT THEATRE PRODUCTION

The hugely acclaimed production of Metamorphosis from the Lyric Hammersmith and the

brilliant Icelandic company Vesturport makes its New York debut as part of the 2010 Next

Wave festival.

Metamorphosis opened at the Lyric Hammersmith in 2006, it was a critical and box-office hit,

prompting the production’s return to the Lyric in 2008. The show then embarked on a national

tour and it has since played in Korea, Sydney, Tasmania, Iceland, Hong Kong, Columbia and

Dublin. This unique retelling of Metamorphosis has dazzled audiences across the world due to

the dizzying, gravity-defying split level set, aerial physicality supported by an original score by

world-renowned musician and lyricist Nick Cave and long time collaborator Warren Ellis.

 

SUNDAY COMEDY NIGHTS

Hosted by Richard Herring

Sunday 26 September / Sunday 31 October / Sunday 28 November /

Sunday 30 January / Sunday 27 February / Sunday 27 March

Our Sunday Comedy Night’s return this autumn with a side-splitting mix of famous headliners

and rising stars, all handpicked by Richard Herring. Headliners from last season include

Ed Byrne, Al Murray, Stewart Lee, Sarah Milican, Stephen Merchant and Jason Manford.

Ages 16+

 

LYRIC LOUNGE

Friday 24 September / Friday 22 October / Friday 19 November / Friday 28 January

Lyric Lounge returns this autumn as young artists take over the Lyric Studio on the last Friday of

every month to programme their own night of soulful vocalists, up-and-coming bands, poetry,

theatre and dance. This season features some of the UK’s most exciting young talent including

Doctor Who’s Arthur Darvill, award-winning playwright Bola Agbaje with Lyric Young

Company member Nadine Gray and Pearson Playwright in residence David Watson.

 

BOOKING INFORMATION

Tickets 0871 22 117 22* / www.lyric.co.uk

Adults £10 / £15 / £20 / £25

Children (under 16) £10

*Calls cost 10p per minute from BT landlines, other networks may vary

FREE First Nights (FFN)

If you live or work in Hammersmith and Fulham you won’t get a better theatre deal. Come to the

Ticket Office at 9.30am, with proof of your home or work address, on the Saturday before the

FFN – and you can pick up your free tickets.

 

WORK BEGINS ON CAPITAL EXTENSION AUTUMN 2010

Over the next few years the Lyric will lead an ambitious capital project which will transform

it into a new kind of cultural and educational building which marries the Lyric’s reputation as

one of the UK’s most acclaimed producing theatres with its track record for supporting young

people. The project will enable the Lyric to deliver an extended programme of participatory

and formal learning activities for young people from West London. The project is being

developed in collaboration with a range of strategic partners including the London Borough

of Hammersmith and Fulham, Arts Council England, Department for Education and the London

Development Agency. Work is due to begin on the Capital Extension in Autumn 2010 with the

new facilities scheduled to open in late 2011.

 


TRICYCLE  THEATRE

269 Kilburn High Road

London NW6

BOX OFFICE:  020 7328 1000

www.tricycle.co.uk

 

 

café-BAR

 

The Tricycle Café (serving food) is open from 12noon to 8pm Mondays to Fridays and 10am – 8pm on Saturdays.  The Tricycle Bar (serving drinks and snacks) is open from 12noon Mondays to Fridays & from 10.30am Saturdays & closes at 11pm Mondays to Saturdays. On Sundays the Bar is open 3pm – 9pm.

TRANSPORT

 

Tube:                                      Kilburn (Jubilee Line)

Bus:                                         16, 31, 32, 98, 189, 206, 316, 328

Train:                                       Brondesbury (London overground)

 

 


THE GATE THEATRE

11 Pembridge Road

Notting Hill, W11

BOX OFFICE:  020 7229 0706

www.gatetheatre.co.uk

 

 


NEW END THEATRE

27 New End

Hampstead

London NW3  1JD

BOX OFFICE AND CREDIT CARDS:  0870 033 2733

www.newendtheatre.co.uk

 

Nearest Tube: Hampstead (Northern Line - 3 mins. walk)      Buses: 46, 210 268

wheelchair access and adapted toilet facilities available

New End Theatre is fully air-conditioned - 5 minute walk from Hampstead Tube Northern Line

 

 

 

 


KING'S HEAD THEATRE

Islington

BOX OFFICE:  020 7226 1916

Underground : Angel (Northern Line)

Highbury and Islington (Victoria Line)

www.kingsheadtheatre.org

Tubes: Angel, Highbury & Islington Buses: 38, 19, 4, 30, 43

www.kingsheadtheatre.org

 

 


THE FINBOROUGH THEATRE

The Finborough 'Pub'

118 Finborough Road

SW10

(5 minutes from Earl’s Court & West Brompton Stations)

 

BOX OFFICE:  0870 4000 838

Earl’s Court Tube and West Brompton Tube & National Rail. Buses: 11, 14, 22, 74, 190, 211, 328, C1, C3

More information and book online at www.finboroughtheatre.co.uk

 

 

June to September 2010

Summer Season 2010

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The multi-award-winning Finborough Theatre continues its 30th anniversary year with a Summer Season of exciting premieres of new plays from both emerging and already internationally renowned playwrights – together with a long overdue London rediscovery to celebrate the 150th birthday of J.M. Barrie.

The season opens with the world premiere of Miss Lilly Gets Boned or The Loss of All Elephant Elders, a wild exploration of love, courage, family, sex and religion from one of America’s most exciting new writers – and Playwright-in-Residence at the Finborough Theatre – Bekah Brunstetter. Miss Lilly Gets Boned plays from 22 June 2010 until 11 July 2010.

From 13 July until 7 August 2010, we present Lingua Franca, the world premiere of a brand new play by Peter Nichols, author of some of the most enduring British plays of the last four decades including A Day in The Death of Joe Egg, Passion Play, Forget Me Not Lane, The National Health and Privates on Parade. Playing on Sundays and Mondays, 18, 19, 25, 26, July, and 1, 2 August 2010 is the first London revival in fifty years of the classic 1908 comedy What Every Woman Knows by J.M. Barrie in celebration of the 150th anniversary of his birth.

The season culminates in August with two works from two of North America’s most successful contemporary playwrights. The London premiere of The Drawer Boy by Canada’s Michael Healey plays from 10 August 2010 until 4 September 2010. Winner of all of Canada’s most prestigious theatre awards, it is directed by Eleanor Rhode who directed Michael Healey’s London debut earlier this year with the Time Out Critics’ Choice production of Generous. Running concurrently on Sundays and Mondays 15, 16, 22, 23, 29 and 30 August is the European premiere of the Pulitzer Prize nominated drama, In the Blood by Suzan-Lori Parks, the author of TopDog/UnderDog and the first African-American woman ever to win a Pulitzer Prize.

In the West End, last year’s sell out production European premiere production of Rodgers and Hammerstein's State Fair (Time Out and Sunday Times Critics’ Choice, and Four Stars in The Guardian and Time Out) transfers to Trafalgar Studios from 5 August - 28 August 2010.


                                                                                                                   – Neil McPherson, Artistic Director

Summer Season 2010 – Press Nights and Photocalls
MAIN PRODUCTIONS

22 June – 10 July 2010
World Premiere
Miss Lilly Gets Boned or The Loss of All Elephant Elders
by Bekah Brunstetter. Directed by Lily Bevan.
Press Night: Thursday, 24 June 2010 at 7.30pm| Photocall: Tuesday, 22 June 2010 at 1pm–1.30pm

13 July – 7 August 2010
World Premiere
Lingua Franca
by Peter Nichols. Directed by Michael Gieleta.
Press Night: Thursday 15 July at 7.30pm | Photocall: Tuesday, 13 July 2010 at 1pm–1.30pm

10 August – 4 September 2010
The Drawer Boy

By Michael Healey. Directed by Eleanor Rhode.
Press night: Thursday, 12 August at 7.30pm |Photocall: Tuesday, 10 August 2010 at 1pm–1.30pm

SUNDAY AND MONDAY PRODUCTIONS

Sundays and Mondays, 18, 19, 25, 26, July; 1 and 2 August 2010
The first London revival in 50 years
What Every Woman Knows
by J.M. Barrie. Directed by Louise Hill.
Press Night: Monday 19 July 2010 at 7.30pm | Photocall: Email admin@finboroughtheatre.co.uk

Sundays and Mondays, 15, 16, 22, 23, 29, 30 August 2010
European Premiere
In the Blood
by Suzan-Lori Parks. Directed by Daniel Burgess.
Press Night: Monday 16 August 2010 at 7.30pm| Photocall: Email admin@finboroughtheatre.co.uk


Finborough Theatre, 118 Finborough Road, London SW10 9ED Book Online at www.finboroughtheatre.co.uk | 24 Hour Box Office 0844 847 1652

Performance Times for Miss Lilly Gets Boned, Lingua Franca and The Drawer Boy
Tuesday to Saturday evenings at 7.30pm.
Saturday Matinees at 3.00pm (from the second week of each run).
Sunday Matinees at 3.00pm.

Prices for Miss Lilly Gets Boned and The Drawer Boy
Prices for Week 1 of Miss Lilly, and Weeks 1 and 2 of The Drawer Boy – Tickets £13, £9 concessions, except Tuesday Evenings £9 all seats, and Saturday evenings £13 all seats. Previews £9 all seats.
Prices for Weeks 2 and 3 of Miss Lilly, and Weeks 3 and 4 of The Drawer Boy – Tickets £15, £11 concessions, except Tuesday Evenings £11 all seats, and Saturday evenings £15 all seats.
£5 tickets for Under 30’s for performances in the first week when booked online.
£10 tickets for residents of the Royal Borough of Kensington and Chelsea on the first Saturday when booked online.

Prices for Lingua Franca
Prices for Weeks 1 and 2 – Tickets £15, £11 concessions, except Tuesday evenings £11 all seats, and Saturday evenings £15 all seats.
Prices for Weeks 3 and 4 - Tickets £18, £15 concessions, except Tuesday evenings £15 all seats, and Saturday evenings £18 all seats.
£5 tickets for Under 30’s for performances in the first week when booked online.
£10 tickets for residents of the Royal Borough of Kensington and Chelsea on the first Saturday when booked online.

What Every Woman Knows, In the Blood
All performances at 7.30pm. Tickets £13, £9 concessions.

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MAY AT THE FINBOROUGH THEATRE

DREAM OF THE DOG

Tuesday, 27 April - Saturday, 22 May 2010

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Spring Season 2010
March to June 2010
30th Anniversary Year 1980–2010

 

THE EUROPEAN PREMIERE

Meeting Point Productions Ltd in association with Neil McPherson for the Finborough Theatre presents
The European Premiere
DREAM OF THE DOG
by Craig Higginson.
Directed by Katie McAleese. Designed by Alex Marker. Lighting Design by Michael Nabarro.
Sound Design by Andrew Pontzen. Costume Design by Penn O’Gara.
Cast: Ariyon Bakare. Gracy Goldman. Bernard Kay. Janet Suzman.

Janet Suzman stars in the UK premiere of an acclaimed new South African play, opening for a four week limited season on 27 April 2010 (Press Night: Thursday, 29 April) at London’s Finborough Theatre in its 30th anniversary year.

KwaZulu-Natal, South Africa, shortly after the millennium. Patricia and Richard Wiley, an elderly white couple, are packing up to leave the farm they’ve sold to developers. Their preparations are interrupted by the arrival of a young man – ‘Look Smart’ – who used to be one of the black workers on their estate until he disappeared fifteen years ago.

The day before ‘Look Smart’ left, something terrible happened on the Wileys’ farm. But everyone has a different memory of the dreadful event and their own role in it. As the different accounts of their shared past are unravelled, they are all forced to confront their own versions of the truth – with shocking ramifications for their lives today.

Dream of the Dog is a richly textured and complex story of South Africa’s emerging democracy, and its continued negotiation with its past in order to find a workable identity for its future. Critically acclaimed in South Africa, this new play takes an unflinching look at the twin mantras of the post-Mandela age – reconciliation and forgiveness – as it asks whether black and white can ever live together peacefully.

Dream of the Dog received its world premiere in South Africa in 2007, playing at the Grahamstown Festival and the Market Theatre, Johannesburg, where it was nominated for four Naledi Awards (South Africa’s equivalent of the Olivier Awards) including Best New South African Play.

South African born Janet Suzman is a critically acclaimed actress who has previously played many leading roles with the Royal Shakespeare Company, culminating in a memorable Cleopatra, and, most recently, Volumnia for The Complete Works Festival. Her films include The Draughtsman's Contract, The Singing Detective, Fellini's The Boat Sails On, and Nicholas and Alexandra for which she was nominated for an Academy Award (Oscar®), the BAFTA and the Golden Globe awards for Best Actress. Janet is a founding Patron of the Market Theatre, Johannesburg, where she appeared in the Market's opening production in 1976 – The Death of Bessie Smith, directed by Market co-founder Barney Simon; and in 1987 she returned to direct her long-time colleague John Kani in Othello . Janet has been actively involved in developing the script of Dream of the Dog with Craig Higginson.

Ariyon Bakare’s credits include Julius Caesar, Anthony and Cleopatra, The Servant of Two Masters (Royal Shakespeare Company), To Kill A Mockingbird (Salisbury Playhouse), The Merchant of Venice (Crucible Theatre, Sheffield). Film credits include The Dark Knight, After The Rain and Secret Laugher of Women. Ariyon was nominated for Best Actor at the Royal Television Society Awards for his role as Ben Kwarme in Doctors.

Gracy Goldman’s credits include The Lost Voice (Royal Festival Hall), Great Expectations (New Vic Theatre), You Can’t Take It With You (Southwark Playhouse), Chasing The Moment (Arcola Theatre). Television credits include The Bill, Doctors, The Detectives and The Ruth Rendell Mysteries.

Bernard Kay’s many credits include After Haggerty (Finborough Theatre), An Inspector Calls (Garrick Theatre), Death of a Salesman (Lyric Theatre, Belfast), Henry IV, Parts 1 and 2 (Royal Shakespeare Company), Spring Awakening, The Nun (BAC), Platonov (Almeida Theatre), Romeo and Juliet (King’s Head), Galileo (Young Vic Studio), Halpern and Johnson (New End Theatre), Nobody’s Fool (National Tour). Film credits include Dr Zhivago, A Ghost at Monte Carlo, Joy Division, Puritan, The Sewers of Gold, Dinner Date and Carry On Sergeant. Television credits include Casualty, Casualty 1909, Foyle’s War, Jonathan Creek, Robin Hood, A Very British Coup, Century Falls, Kremlin Farewell, The Bill and Pierrepoint.

Award-winning playwright Craig Higginson is the Literary Manager of Johannesburg’s famous Market Theatre. He worked as Barney Simon's assistant at the Market Theatre, and has also worked in the UK where he worked as a Director, Dramaturg and Assistant Director for such companies as the Royal Shakespeare Company, the Young Vic, the Hampstead Theatre and the Almeida Theatre. Craig’s first play, Laughter in the Dark, was premiered by the Royal Shakespeare Company in 2000, and he later adapted the script for BBC Radio 3 where it won the prestigious Gold Sony Award for 2004. He has adapted The Lord of the Flies (Market Theatre), written and directed The Perfect Circle (Wits Theatre and Grahamstown Fringe), co-wrote Truth in Translation and Ten Bush (Grahamstown Main Festival and the Market Theatre) and co-adapted The Jungle Book and Brer Rabbit (both Market Theatre). Craig has also published two novels – Embodied Laughter (Pan MacMillan, 1998) and The Hill (Jacana, 2005) - his next two novels, Last Summer and The Landscape Painter, will be published by Picador Africa in February 2010 and 2011 respectively.

Director Katie McAleese was Associate Director on the Olivier Award winning West End production of La Cage Aux Folles, where she directed casts including Roger Allam and John Barrowman. Previous credits as director include The Pope’s Wedding (Young Vic), The Importance of Being Earnest (Derby Playhouse), The Wall (The Junction) and The Revenger’s Tragedy (St Andrew’s Crypt, Holborn). She was also Associate Director on Animal Farm (Derby Playhouse), and an Assistant Director at the Menier Chocolate Factory, Northampton, Derby Playhouse, Theatr Clwyd, English Touring Theatre and in the West End, with directors including Terry Johnson, Terry Hands, Stephen Unwin and Simon Curtis. She trained at the National Theatre Studio, Birkbeck and Cambridge University. Katie has also worked extensively in TV script development, and was Head of Development for Alchemy TV.

The South African Press on Dream of the Dog
“Playwright Craig Higginson set out to write a script that would encapsulate in one scene the issues that permeate our country’s past, present and future. He has succeeded.”
The Sunday Independent (South Africa)
“A compelling and well-paced psychoanalysis of post-apartheid South Africa”
The Weekender
“This powerful piece of new South African theatre looks at how an incident which one person easily forgets can play on another’s mind and control their lives”
The Herald (South Africa)
“Rarely does one have the privilege of seeing a play that is virtually flawless in concept, execution and collaborative impact. Dream of the Dog fits this bill…(the) nuances of texture make for wonderful theatre – the language is beautiful, the tale disturbing for its violence and the deeply buried lies it contains…Rather than offering clichéd insight into what reconciliation might mean in a post-apartheid South Africa, this is a play that revisits past injustices and uncovers hidden lies. Part political thriller part surreal horror, it is riveting.”
Cue

 

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AND ON SUNDAYS AND MONDAYS

NAGGING DOUBT

SUNDAYS/MONDAYS THROUGHOUT MAY

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Spring Season 2010
March to June 2010
30th Anniversary Year 1980–2010

 

Shebang and Neil McPherson for the Finborough Theatre present
Nagging Doubt
Written and performed by Jack Klaff
Directed by Sophie Lifschutz
(Originally directed by Richard Howard, with Brigid Larmour and Graham Callan)

I do not have the nagging doubt of ever wondering whether perhaps I could be wrong.” – South African Prime Minister Dr H. F. Verwoerd (1959)

Marking the centenary of the Union of South Africa and the 50th anniversary of the Sharpeville Massacre, Jack Klaff presents his one-man show, Nagging Doubt at the Finborough Theatre for six performances only, opening on Sunday, 2 May 2010 (Press Nights: Sunday, 2 May and Monday, 3 May 2010).

Drawing on Klaff’s own childhood memories, Nagging Doubt takes us back to a watershed moment in history, exactly half a century ago. On 21st March 1960, outside Sharpeville police station, 35 miles from Johannesburg, panicked police officers fired at peaceful black demonstrators, killing seventy people and wounding two hundred more, including women and children. Following that atrocity, apartheid South Africa teetered on the verge of a racial bloodbath.

“My son said, 'Daddy, what was Sharpeville?' I'm happy that life is going on now, but straight away I told him the story.” – Ernest Ndlovu, activist and teacher

Using mercurial changes of character and minimal set and costumes, Jack Klaff evokes twenty characters caught up in the tumultuous events before and after the Massacre. He portrays the fictional family of liberal journalist Eric Lovell and his wife Marjorie (based on Klaff’s uncle and aunt), also South African Prime Minister Verwoerd, the British Prime Minister Harold Macmillan, Albert Luthuli, Robert Sobukwe, an Afrikaaner policeman and even Nelson Mandela himself.

Nagging Doubt was first performed at the Edinburgh Festival in 1981 and has been presented in Italy, France, the Netherlands and the United States as well as throughout the UK. It was presented in the very first season at the Almeida Theatre and also at the Donmar Warehouse under the auspices of the Royal Shakespeare Company, the show was last seen on stage at the Glasgow Citizens Theatre in 1984. A version for Channel Four, directed by Roger Graef, received international acclaim.

Nagging Doubt runs concurrently with the European Premiere of Craig Higginson’s Dream of The Dog, starring Janet Suzman. Together the plays portray the old and new South Africa.

Writer and Performer Jack Klaff has written and performed twelve solo works which have been performed and broadcast internationally, receiving awards including two Fringe Firsts at the Edinburgh Festival.
His writing includes the commentary for
New Circus, which was nominated for a Golden Rose Award at Festival Rose d’Or, Montreux, a Tinniswood nomination for New Writing, and the Jack Hargreaves Award from the BBC Script Unit for innovative use of the medium of television. Jack has held Visiting Professorships at Starlab, a science think-tank in Brussels, and at Princeton University.
He has played a wide range of classical and modern parts in the West End, at the Royal Shakespeare Company and in premier venues throughout Britain and abroad. His most recent stage role was Michael Mansfield, QC in
Stockwell (Tricycle Theatre) Other theatre credits include Henry VI , Son of Light, As You Like It, Tamburlaine (Royal Shakespeare Company), Othello, Troilus and Cressida, Donkey’s Years, I’m Not Rappaport (Bristol Old Vic), Map of the Heart (Shakespeare’s Globe) and Insignificance (Donmar Warehouse).
Jack has over 150 television credits. Film credits include
Star Wars, For Your Eyes Only, King David, Pasternak, Olga, 1871 and Ten Pence. He has received two Sony Silver certificates for Radio Acting and is increasingly in demand as a presenter on radio and television, notably as a pundit on LBC Talk Radio and on BBC 4’s book show Battle of the Books as a regular advocate, along with Mariella Frostrup and James Naughtie.

Director Sophie Lifschutz trained with the National Theatre’s Young Company. She read Drama and German at the University of Bristol and studied directing from Drama Studio London. In 2009, she was invited to train on the National Theatre Studio Director's Course. Sophie won a Fringe Review Award for Outstanding Theatre Show at the Edinburgh Festival 2007 with Retreat. Recent directing includes Stockwell (Landor Theatre and Tricycle Theatre - Time Out Critics' Choice), In Touch (Trafalgar Studios), Numbers (King's Head Theatre) and My Best Friend (Courtyard Theatre). Nagging Doubt marks Sophie and Jack’s first collaboration since the Evening Standard Award-nominated Stockwell (2009).

·         Sundays and Mondays, 2, 3, 9, 10, 16, 17 May 2010

Evenings at 7.30pm.

·         Tickets £13, £9 concessions

·         Performance Length: 75 minutes

Box Office: 0844 847 1652

 

 

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THE OVAL HOUSE

52-54 Kennington Road

London SE11

BOX OFFICE: 020 7582 7680

 

 

Transport: Oval Tube (one-mins' walk Northern Line) or

Vauxhall (BR & Victoria Line, 15 mins)

Access: Induction Loop, Upstairs Theatre is not wheelchair accessible

Car park: for disabled visitors, on-street parking nearby

Café: Open theatre nights for wines, beers and meals

Further information: www.ovalhouse.com


ALMEIDA THEATRE

Almeida Street

London N1 1TA

BOX OFFICE: (020) 7359 4404

 

 

 

OPENING IN 2010 - WILLIAM SHAKESPEARE'S

M E A S U R E F O R M E A S U R E

DIRECTED BY MICHAEL ATTENBOROUGH

 

 

 

MICHAEL ATTENBOURGH TO DIRECT WILLIAM SHAKESPEARE'S

 

M E A S U R E F O R M E A S U R E

 

Michael Attenborough will direct William Shakespeare's Measure for Measure as the first Almeida production to open in 2010. Further details for this production, including casting, will be announced at a later date.

 

Previously Attenborough has directed Shakespeare's Twelfth Night and The Merchant of Venice as well as Royal Shakespeare Company productions of Romeo and Juliet, Othello, Antony and Cleopatra and Henry IV parts I and II. In Autumn 2007 Attenborough was invited to lead a two week International Shakespeare Workshop in Australia where he worked with a company of multi-national artists. On leaving the RSC, where he was Principal Associate Director, he was invited to become an Honorary Associate Artist.

Under 30s

 

Theatre-goers under the age of 30 can take advantage of £15 tickets for best available seats for opening performances of Almeida Productions. Tickets are limited and ID will be necessary on collection of tickets.

 

Islington First

 

Theatre-goers who live or work in the Islington area (postcodes N1, N5, N6, N7, N19) can take advantage of £20 tickets (regular price £29.50) for opening performances of Almeida productions. Proof of address will be necessary on collection of tickets.

 

 

 

CAFE-BAR The Almeida Cafe-Bar is open from 11.30am - 11.00pm, Monday to Saturday, serving food, drinks and snacks.

BOX OFFICE

 

Phone 020 7359 4404 (24 hour)

 

In person 10.00am - 7.30pm, Monday - Saturday

 

On line www.almeida.co.uk

 

 

Priority Booking for Almeida Circle of Supporters from 22 April 09

Mailing List members 6 May 09

Public Booking from 13 May 09

 

WEBSITE www.almeida.co.uk

 

 

 

PERFORMANCES SCHEDULE

 

Regular performances are Monday - Saturday at 7.30pm, Saturday matinees at 3.00pm, Press Nights at 7.00pm.

 

 

 


MENIER CHOCOLATE FACTORY

51-53 Southwark Street

SE1 1 TE

BOX OFFICE: 020 7907 7060

 

    

FULL CASTING ANNOUNCED FOR

ANDREW LLOYD WEBBER, DON BLACK AND CHARLES HART’S

A S P E C T S   O F   L O V E

AT THE MENIER CHOCOLATE FACTORY

 

Trevor Nunn will direct the first major London revival of Andrew Lloyd Webber, Don Black and Charles Hart’s Aspects of Love at the Menier Chocolate Factory, previewing from 07 July with press night on 15 July and running until 26 September.  Designs are by David Farley with choreography by Lynne Page, lighting by Paul Pyant, musical supervision by Caroline Humphris, orchestrations by David Cullen and sound by Gareth Owen.  Trevor Nunn previously directed the world premiere of Aspects of Love and returns to the piece to direct this new intimate version.  

 

Joining Michael Arden (Alex Dillingham) and Katherine Kingsley (Rose Vibert) are Dave Willetts as George, Rosalie Craig as Giulietta and Martyn Ellis as Marcel, and Rebecca Brewer as Jenny, along with Jill Armour, Louisa Lydell, Ian McLarnon, David Roberts, Savannah Stevenson, Dominic Tighe and Rebecca Trehearn.

 

Based on David Garnett’s novel of the same name, Aspects of Love tells the story of passion, love and loss across three generations of a family and their companions set against the background of 1940’s France and Italy.  Alex Dillingham, a young student travelling through France, falls in love with the alluring actress Rose Vibert.  As the pair embark on a passionate affair, the unexpected arrival of Alex’s uncle changes their lives forever.  A love story spanning twenty years binding six people and three generations as they come to appreciate that love changes everything.

 

Michael Arden made his Broadway debut as Tom Sawyer in Big River in 2003 and more recently he was seen in The Times They Are A-Changing based on the music of Bob Dylan.  Off Broadway his credits include Swimming in the Shallows, Bare, Ace, God of Vengeance, As You Like It, The Winter’s Tale and The Secret Garden.  His television and film credits include Bones, Numbers and Grey’s Anatomy as well as Bride Wars and The Good Shepherd.  In 2007 he toured Europe with Barbra Streisand.  Aspects of Love marks his London stage debut. 

 

Katherine Kingsley was most recently in the UK tour of The 39 Steps.  Her other theatre credits include Piaf for the Donmar Warehouse and the Vaudeville Theatre for which she was nominated for an Olivier Award, The Truth Will Out for the Old Vic, The Black and White Ball at the King’s Head Theatre, Hobson’s Choice for the Chichester Festival Theatre, High Society at the Shaftesbury Theatre and on UK Tour and The Canterbury Tales for Bristol Old Vic.  Her television credits include The Bill, Hollyoaks and Casualty.  Her film credits include Weekend, Days of the Siren and 100 Second Marriage.

 

Dave Willetts was last in the West End as Max in Sunset Boulevard at the Comedy Theatre.  Other West End credits include Jean Valjean in Les Misérables at the Palace Theatre, the title role in Phantom of the Opera at Her Majesty’s Theatre, Ragtime at the Piccadilly Theatre and Seven Brides for Seven Brothers at Theatre Royal Haymarket.

 

Rosalie Craig’s stage credits include Anyone Can Whistle at Jermyn Street Theatre, The Cocktail Party at the Donmar Warehouse and Hecuba and Alice in Wonderland both for the Royal Shakespeare Company.

 

Martyn Ellis’ West End theatre credits include Nicely Nicely in Guys and Dolls, Les Misérables, The 39 Steps and The Lion King.  Other theatre credits include Just So at the Tricycle Theatre, A Chorus of Disapproval at the Bristol Old Vic, Alice In Wonderland for the Royal Shakespeare Company, Cafe D’Amour at the National Theatre and Grand Hotel at the Donmar Warehouse.  His TV credits include The Sarah Jane Adventures and The Tudors.  His film credits include Cody Banks 2 and the soon to be released Devil’s Bridge.

 

Rebecca Brewer is making her professional stage debut in Aspects of Love.

 

LISTINGS INFORMATION                        ASPECTS OF LOVE

 

Dates                                        07 July – 26 September 2010, Press Night 15 July at 8pm

 

Performances                              Tuesday – Saturday at 8pm

Saturday and Sunday at 3.30pm

 

Tickets                                                Preview performances 07 – 14 July

£29.50 – all seats, £37 – Meal Deals

From 15 July:

£32 – all seats, £27.50 – concessions + groups (8+)

£39.50 – Meal Deals          

Meal Deals include a theatre ticket and a two-course meal in the Menier Restaurant prior to the show

 

Box Office                                  0207 907 7060, £2 transaction fee on phone bookings

 

Restaurant                                  0207 407 4411

 

Address                                      53 Southwark Street, London SE1 1RU

 

Transport                                   London Bridge Tube, Borough High Street exit

                                                RV1 and 381 buses

On street parking after 6.30pm or all day Saturday & Sunday

 

Website                                     www.menierchocolatefactory.com

No booking fee for on-line bookings

 

 


For more details or individual advice/help - email: GPowner@aol.com